I like to travel in the history of art, to inspire and enrich my artistic research. Using the same language composed by previous artists, I want to develop it and release my creation against the clichés established.

The mixture of images already existing in the art with contemporary sensibility is the basis on which I try to build my own territory in art. Realizing a game of different aesthetic vibrations, my conception opens to new overlays and bridges between real and abstract, decorative and picturesque. I prefer details and fragments that I make with oriental precision. At the beginning of my work, my compositions emerge from the chaos of untreated pure colors, which then give birth to a harmony of new nuances and forms that are organized in unity. The black line is a very important thing in my works because it reinforces the intensity of the painting, which begins to shine like on the stained glass window.

When I paint, I always fall into a kind of contemplation of my world of fairy creatures and sacraments. The themes of love, harmony, beauty, and eternity remain close to my nature.

I prefer to work with acrylic because it is very well combined with most techniques such as collage, oil, watercolor, ink, and pastel. I like working with these techniques quite varied because they are complementary and affect my sensitivity. At the moment, I am happy to use the combination of acrylic and Indian ink. This allows me to obtain in my works a different structure of the surface. Some areas seem hyperactive, others vibrate according to the light, while others overflow.

Original Created: 2020

Subjects: Abstract

Materials: Canvas

Styles: AbstractFigurativeFine Art

Mediums: AcrylicInkMarker